Long after her husband’s death, Imelda Marcos has been an iconic figure in the Philippines and abroad. Known for her extravagant lifestyle, she is often considered to be the Philippines’ equivalent of Marie Antoinette. With a supply of a pair of shoes a day that lasted for eight years, she was infamous in the United States and abroad for her extravagance and life of excess after late husband Ferdinand’s downfall.
According to many accounts, her glamorous persona has remained a double-edged sword throughout her life. Raised in the south of the Philippines, despite living a relatively marginalized childhood, Imelda Trinidad Romualdez came from an aristocratic family and courted controversy throughout the Philippines as a beauty queen in contention for the 1953 Miss Manila crown as she and another contestant were chosen to represent Manila in the larger Miss Philippines Pageant. Her singing talent, combined with her stunning beauty and gregarious nature attributed to her becoming the most sought after by diplomats, politicians, and businessmen which included her future husband’s opponent Benigno “Ninoy” Aquino. Following her marriage in 1954, Ferdinand viewed Imelda as an untapped resource in his political arsenal.
Unlike many of the wives of world leaders, Imelda was instrumental
not only in inflating her husband’s image domestically and abroad, but as a key
component in policy making, foreign diplomacy, passing legislation, and the
completion of several projects which included a controversial game preserve and
wildlife sanctuary on Calauit Island which displaced thousands of indigenous
people in the 1976.
In this Los Angeles Times article posted November 7, Justin Chang reviews The King Maker, Lauren Greenfield’s recent documentary on Imelda Marcos which captures a glimpse of the controversial Filipino icon in a less flattering light than Romana Diez’s Imelda (2003), an earlier documentary on the former first lady.
The King Maker opened in Los Angeles and New York for a limited engagement and presently airs on Showtime Television Network in the US.
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Originally from Buffalo, New York, an area situated in America's former rust belt, like most Western New York natives, I am partly of Polish decent. I grew up immersed in the American football and hockey frenzy that often consumed the community. It was a great diversion from the socioeconomic problems that began to plague Buffalo in the end of its industrial heyday. It gave the people of Buffalo, often called "the city with no illusion," an escape from the mundane as they vicariously lived through sports figures, celebrities and dramas seen on television and the covers of magazines displayed on the checkout counters at supermarkets.
From a very young age, settling in a particular school or area was difficult. The instant I made friends and acquaintances, abruptly, it was time for me to move on and start over again. With minimal time to make lasting impressions, my encounters with people were like brief stops on a tour. Their memories of me as I had of them were not mutual, remembering them for the roles they played as film characters, viewing them from afar as merely an observer. Unlike many of the people encountered, whose path in life seemed definite and set out before them, I had had the privilege, sometimes at other’s expense, of living my life almost day to day, void of any commitment or obligations. Subsequently, my lifestyle has caught up with me. Trying to play different roles to different people and not being able to follow up with an end result has left things open ended.
However, all my travels on my seemingly limitless, open-ended journeys were not in vain. In retrospect it has given me a better understanding of the human condition everyone must inevitably face. Regularly transplanted from one setting to another, filled with different people and different places have given me a broader perspective in life, which has made me grateful for the friends, family and resources at my disposal.
After nearly a decade of living and working abroad throughout Asia, I presently reside in my hometown in suburban Buffalo. Though it has been wonderful to catch up with friends and family and have a taste of the local cuisine eaten since childhood, there is a void that can only be filled by memories abroad in countries such as Japan, South Korea and the Philippines. Memories of long-standing wooden shrines underscored by ever-changing electronic billboards, April cherry blossoms, and riding around in jeepneys will endure.
Returning to the USA was as though a claw from above forcibly lifted me by my shirt collar through the atmosphere across the Pacific, dropping me onto a bed of cold ice-packed snow beside an airport parking lot, making my long-awaited homecoming after visiting in the tropical Philippine Island of Boracay seem like a slap in the face. Unsure of how to exit the premises, agoraphobia set in. Overwhelmed by the vast and expansive landscape common in the US, momentarily, the airport car park seemed like an Arctic tundra during a calm after a storm nearing spring. It was a quite a contrast from Korea where within the same time taken to exit the airport, I would have been sitting comfortably on a train, enroute to my studio apartment.
It has been over a year since my last visit to Asia. Since my return, I have been diligently searching for a means to have one foot firmly planted in Asia and another firmly planted stateside. With the help of a dedicated staff and willing participants in the Philippines, Pinay Sisters celebrates the beauty of sisterhood. With a photo-journalistic approach, from the province villages to the urban neighborhoods of Manila, Pinay Sisters takes you throughout one of the world’s largest archipelagos with unique photos, stories and profiles featuring sisters from many walks of life updated monthly. Please enjoy. Positive criticism and feedback are greatly welcomed.
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